Once the clean-ups and in-between drawings for a sequence are completed, they are prepared for photography, a process known as ink-and-paint. Each drawing is then transferred from paper to a thin, clear sheet of plastic called a cel, a contraction of the material name celluloid (cellulose acetate, seruga in Japanese). The outline of the drawing is inked or photocopied onto the cel, and gouache (or a similar type of paint) is used on the reverse sides of the cels to add colors in the appropriate shades. The gouache is fixed with ox gall or Colorex ink technic.
The transparent quality of the cel allows for each character or object in a frame to be animated on different cels, as the cel of one character can be seen underneath the cel of another; and the opaque background will be seen beneath all of the cels.
12 fields / 27,50x32cm / 500 sheets - Pro Grade : For professionnals in Animation : 500 sheets of punched Acme Pro Grade 60gr 12 fields (27,50x32). If you need a sample just send us a mail at the shop : adam.montmartre@gmail.com
Acme pegbar steel ultra Thin : This is the smallest foot print pegbar which allows to keep in place sheets of paper such as you will be able to help you drawing the next picture thanks to the previous one. The pins in the peg bar match the holes in the paper. It is attached to the animation desk or light table depending on which is being used. You can find this type of pegbar in different Animation studios.
Thickness of the pegbar : 1mm Size of the pins : 13x8x3mm