List of products by brand Lascaux

There are 27 products.

Showing 1-24 of 27 item(s)

Acrylic adhesive 498HV 1 liter

Price €39.90
Acrylic adhesive 498HV 1 liter : Acrylic adhesive dilutable with water. After drying, insoluble in water with permanent solubility solvents type: Alcohol, Acetone, Toluene ... Resistant to brightness and aging. Gives a strong and elastic film and is very resistant to traction. Suitable for non-curing, light-resistant collages. Perfect for relining, collages . Applications For light-resistant, non-ageing, non-crosslinking linings, marouflages, laminations, collages etc. For wet application or reactivation of dry film, on absorbent  and non-absorbent supports such as paper and cardboard, textiles, wood- and fibreplates, polyesterplates, plaster and concrete, glass and acrylic glass, aluminium etc. Lascaux Acrylic Adhesive 498 HV has a strong  elongation at break, and is suitable for wet and dry  applications (reactivation with solvents). Standard  type for linings and marouflages.

Acrylic adhesive 498HV 5 liter

Price €175.00
Acrylic adhesive 498HV 5 liter : Acrylic adhesive dilutable with water. After drying, insoluble in water with permanent solubility solvents type: Alcohol, Acetone, Toluene ... Resistant to brightness and aging. Gives a strong and elastic film and is very resistant to traction. Suitable for non-curing, light-resistant collages. Perfect for relining, collages ... Applications For light-resistant, non-ageing, non-crosslinking linings, marouflages, laminations, collages etc. For wet application or reactivation of dry film, on absorbent  and non-absorbent supports such as paper and cardboard, textiles, wood- and fibreplates, polyesterplates, plaster and concrete, glass and acrylic glass, aluminium etc. Lascaux Acrylic Adhesive 498 HV has a strong  elongation at break, and is suitable for wet and dry  applications (reactivation with solvents). Standard  type for linings and marouflages.

Acrylic Fixative 2070

Price €19.95
Acrylic Fixative 2070 : Composition Pure acrylic resin in organic solvents Properties • extremely lightfast and age resistant • non-matt • permits invisible fixing on absorbent supports   (paper, cardboard, etc.) • a silky-matt to a slightly glossy varnish can be   obtained on non-absorbent substrates (prints,   photographs, acrylic colours and oil paintings • it is non-yellowing • does not change the hue of colours upon drying Applications • a multi-purpose fixative which seals or fixes almost   any product on almost any surface • for invisible fixing of drawings in pencil, charcoal,   pastel and wax crayons, particularly on delicate   paper • can be applied as a fixative or a waterproof sealing   coat to water-colours, India ink or tempera works • sealing with Lascaux Fixativ makes photographs,   photostats, art prints, lithographs, proofs, press-on   lettering and gold leaf scratch proof • suitable as a final varnish for acrylic colours and   thoroughly dried out oil paintings, etc. • whose high quality has been tried and tested in   many fields including art teaching, graphic and fine   art, printing, bookbinding and architectural   draftsmanship

Collasine glue EV

Price €9.50
Collasine glue "Eclat de de verre" 500gr : Collasine glue of 500g ready to use. Neutral glue, does not stain, it is particularly used for restoration or for fragile and delicate documents.

Gloss Spray - Lascaux UV...

Price €19.95
Lascaux UV Protect 1 Gloss Spray : Composition High-quality pure acrylic polymer, highly effective UV absorber, matting agent (matt, semi matt), solvent (no aromatic compounds), CFC-free propellant Properties • transparent, colourless, flexible film • light-fast, age resistant, non-yellowing • good adhesion, abrasion resistance and hardness • waterproof • 3 gloss levels (gloss, matt, semi matt) • with UV protection; enhances the light-fastness of   the underlying layers • quick-drying, odourless film • reworkable  • archival: re-soluble and removeable Applications Lascaux UV Protect is used as an universal archival varnish for protecting and sealing surfaces. It is suitable for the Lascaux Acrylic, Sirius and Gouache colour ranges and for oil, tempera, watercolour and pastel painting. It can also be recommended for drawings, inkjets and photocopies. Surfaces protected with Lascaux UV Protect can be reworked; i.e. over painted.

Hot Sealing Adhesive 375

Price €52.50
Lascaux Adhesive for heat sealing 375 1 liter : Lascaux 375 Hot Seal Adhesive is a ready-to-use adhesive used in restoration. This preservative has excellent adhesion properties and above all a very good resistance over time. Application Lascaux Heat-Seal Adhesive 375 can be applied by spraying, brushing or with a roller. Usually, it is desirable to slightly warm Lascaux Heat-Seal Adhesive 375 in a waterbath and dilute it 2:1 to 1:1 with Benzine 100/140, in order to get the consistency of light cream. Cold or warm application is possible, although warming the Lascaux Heat-Seal Adhesive 375 solution will increase penetration. For spray application, dilute with Toluene, in order to reduce the viscosity. Lascaux Heat-Seal Adhesive 375 is activated only after all solvents required for its application have evaporated (12-24 hours). For lining Lascaux Heat-Seal Adhesive 375 is best  applied either on the lining canvas or on an interleaf (e.g. polyester non woven). Heat activation after drying of the solvents at approx. 62-65°C on a hot table, or with an iron or a hot air blower. Heat activation can be done days or week after application of the Lacaux Heat-Seal Adhesive 375. If Lascaux Heat-Seal Adhesive 375 is used for the  consolidation of paint layers, it should be diluted 1:4 Benzine 100/140 or White Spirit, or with Toluene to  increase penetration (check solubility of paint layer first). Heat activation after complete evaporation of the solvents and under light pressure. Removal of Lascaux Heat-Seal Adhesive 375 can be achieved by the use of either heat or solvents like  Acetone or Benzine 100/140.

Lascaux Matting Agent

Price €14.95
Lascaux Matting Agent 250ML : Composition Dispersed pyrogenic silicia with acrylic polymer in water Properties • used to obtain a matt effect with acrylic paints and mediums. It contains no binders. • dries to a matt, water-resoluble film • lightfast and age resistand Applications • adding Lascaux Matting Agent gives acrylics a matt appearance similar to that of gouache or tempera colours • likewise, acrylic colours can be prepared for supplementing or retouching lime and casein   paintings at any stage • the Matting Agent is only suitable for use with  water-based systems and for interior applications

Lascaux Medium 1 Gloss 250ML

Price €14.00
Lascaux Medium 1 Gloss 250ML : Composition Pure acrylic resin emulsion. Mediums 2 and 3 also contain silicic acid. Properties • lightfast and age resistant • colourless Applications • mix with acrylics to create glazes in various sheens • mix with paints to increase transparency while extending volume • use in collage for gluing lightweight materials • colours can be mixed into the medium to slow down  drying time

Matt Spray - Lascaux UV...

Price €22.90
Lascaux UV Protect 2 Matt Spray : Composition High-quality pure acrylic polymer, highly effective UV absorber, matting agent (matt, semi matt), solvent (no aromatic compounds), CFC-free propellant Properties • transparent, colourless, flexible film • light-fast, age resistant, non-yellowing • good adhesion, abrasion resistance and hardness • waterproof • 3 gloss levels (gloss, matt, semi matt) • with UV protection; enhances the light-fastness of   the underlying layers • quick-drying, odourless film • reworkable  • archival: re-soluble and removeable Applications Lascaux UV Protect is used as an universal archival varnish for protecting and sealing surfaces. It is suitable for the Lascaux Acrylic, Sirius and Gouache colour ranges and for oil, tempera, watercolour and pastel painting. It can also be recommended for drawings, inkjets and photocopies. Surfaces protected with Lascaux UV Protect can be reworked; i.e. over painted.

Matt UV Filter - Lascaux...

Price €19.95
Lascaux Transparent Varnish 2 Matt 250ML  UV Filter : Composition Pure acrylic resin dispersion Properties • water-thinnable • dries to waterproof and clear film • of superior transparency • excellent adhesion, abrasion resistance and   hardness • lightfast and age resistant Applications • Various applications on stable surfaces • protective varnish for acrylic paintings • protective varnish for digital print • painting medium for acrylic systems • coating of wood, plywood and hardboard • transparent wood varnish for interiors

Medium for Consolidation...

Price €18.90
Medium for Consolidation 4176 250ml : Base Finely dispersed, aqueous dispersion of an acrylic copolymer. Properties • dries to a clear and flexible film • light-fast and age-resistant • excellent penetrating power • solids content: 25% • MFT (Minimum film formation temperature): approx. 4°C • pH: approx. 8-9 Solubility Dispersion dilutable with water. Film soluble in esters, aromatics, acetone, MEK.

Modeling Paste A - Natural

Price €35.90
Modeling Paste A - Natural : Composition Thickened pure acrylic resin dispersion with highgrade calcite filler, finely ground. Modelling Pastes B and C contain quartz sand additionally. Properties • flexible, elastic hard • have excellent adhesion properties • do not crack in thicker layers • are waterproof once dry and can be over painted • Modelling Paste A: dry to a smooth surface • Modelling Paste B: dry to a rough surface • Modelling Paste C: dry to a very rough surface Applications • relief-type applications • for impasto painting: gives paint more body and extends paint volume • use in collage and mosaics for imbedding materials • for use in texturing grounds (fresco like) or substrates • restoration work

Modeling Paste B - Natural

Price €35.90
Modeling Paste B - Natural : Composition Thickened pure acrylic resin dispersion with highgrade calcite filler, finely ground. Modelling Pastes B and C contain quartz sand additionally. Properties • flexible, elastic hard • have excellent adhesion properties • do not crack in thicker layers • are waterproof once dry and can be over painted • Modelling Paste A: dry to a smooth surface • Modelling Paste B: dry to a rough surface • Modelling Paste C: dry to a very rough surface Applications • relief-type applications • for impasto painting: gives paint more body and extends paint volume • use in collage and mosaics for imbedding materials • for use in texturing grounds (fresco like) or substrates • restoration work

Modeling Paste C - Natural

Price €35.90
Modeling Paste C - Natural : Composition Thickened pure acrylic resin dispersion with highgrade calcite filler, finely ground. Modelling Pastes B and C contain quartz sand additionally. Properties • flexible, elastic hard • have excellent adhesion properties • do not crack in thicker layers • are waterproof once dry and can be over painted • Modelling Paste A: dry to a smooth surface • Modelling Paste B: dry to a rough surface • Modelling Paste C: dry to a very rough surface Applications • relief-type applications • for impasto painting: gives paint more body and extends paint volume • use in collage and mosaics for imbedding materials • for use in texturing grounds (fresco like) or substrates • restoration work

Paraloid B72 1 - 4120 1 Kg

Price €75.10
Paraloid B72 100% (Granulated) - 4120 1 Kg : Copolymer Ethyl Methacrylate. Tg 40 °. The paraloid B72 has been used in the restoration of works of art since the 1950s. With hindsight we can see that this resin is the most stable in time thanks to many experiments. The best so far to treat, repair and consolidate paints. To use as well in primary in varnish to see fixative for the works made in pastel with chalk or charcoal. It sticks on glass and ceramic and helps to consolidate the wood. Application When working with Paraloid B 72, the right thinning rate is decisive for a successful treatment. Tests should be made in order to determine the thinning rate and the appropriate solvent to provide good penetration and consolidation properties. Since objects show different absorptions, it is advisable to work with lower concentrations and, if necessary, to repeat the application. There is a risk of undesired saturation on the surface of the object when working with too high concentrations. The solvent retention must be taken into consideration . Especially when using solvents with a low evaporation rate. It may take days or weeks for complete evaporation of the solvent. The result of the consolidation can be judged only after complete drying of the resin. Excess resin or gloss are to be removed with toluene.

Polyamide Textile Adhesive...

Price €10.95
Polyamide Textile Adhesive Welding Powder 5065 : Base Thermoplastic copolyamid resin. Properties Melting point of 90-100°C. Uses It is used as a hot-melt adhesive for textiles and leather. In conservation it is widely used for tear-mending of paintings on canvas. The tensile strength is sufficient in most cases. lf higher tensile strength is required, type no. 256, which has a melting point of 105-115°C, can be used. Application Polyamide Textile Welding Powder is a hot-melt adhesive. The easiest way of application is to stick a hot soldering needle into the powder and then apply the melted polyamide. Another method consists of melting the polyamide powder with an iron between two sheets of Hostaphan film, in order to obtain a coat of approx. 1-2 mm thickness. After cooling, the polyamide coat is cut in very thin strips. These strips are then used together with the soldering needle to weld the threads. Size Jars of 50 g.

Retouching Medium 4140 Lascaux

Price €69.90
Retouching Medium 4140 Lascaux - 1L : Lascaux Retouching Medium is a 50% solution of Mowilith 20 (AYAB) in ethanol/acetone 7:3. It can be mixed with appropriate powder pigments directly on the palette. Since every pigment has a different binder demand, experience is required to get the right balance between binder and pigments. To dilute the Lascaux medium, it is recommended to use a mixture of ethanol and 10-30% of cellosolve or diacetone alcohol, in order to adapt the drying time of the medium to the requirements of the retouching.

Retouching Medium Lascaux...

Price €14.95
Retouching Medium 4140 Lascaux 250ml : Lascaux Retouching Medium is a 50% solution of Mowilith 20 (AYAB) in ethanol/acetone 7:3. It can be mixed with appropriate powder pigments directly on the palette. Since every pigment has a different binder demand, experience is required to get the right balance between binder and pigments. To dilute the Lascaux medium, it is recommended to use a mixture of ethanol and 10-30% of cellosolve or diacetone alcohol, in order to adapt the drying time of the medium to the requirements of the retouching.

Semi Matt 250ML - Lascaux...

Price €14.00
Lascaux Medium 3 Semi Matt 250ML : Composition Pure acrylic resin emulsion. Mediums 2 and 3 also contain silicic acid. Properties • lightfast and age resistant • colourless Applications • mix with acrylics to create glazes in various sheens • mix with paints to increase transparency while extending volume • use in collage for gluing lightweight materials • colours can be mixed into the medium to slow down  drying time

Semi-Matt Spray - Lascaux...

Price €22.90
Lascaux UV Protect 3 Semi-Matt Spray : Composition High-quality pure acrylic polymer, highly effective UV absorber, matting agent (matt, semi matt), solvent (no aromatic compounds), CFC-free propellant Properties • transparent, colourless, flexible film • light-fast, age resistant, non-yellowing • good adhesion, abrasion resistance and hardness • waterproof • 3 gloss levels (gloss, matt, semi matt) • with UV protection; enhances the light-fastness of   the underlying layers • quick-drying, odourless film • reworkable  • archival: re-soluble and removeable Applications Lascaux UV Protect is used as an universal archival varnish for protecting and sealing surfaces. It is suitable for the Lascaux Acrylic, Sirius and Gouache colour ranges and for oil, tempera, watercolour and pastel painting. It can also be recommended for drawings, inkjets and photocopies. Surfaces protected with Lascaux UV Protect can be reworked; i.e. over painted.

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