Plastiline 1 kg

Plastiline 1 kg
plastiline 1kg

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1kg de plastiline dureté 40 gris foncé
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Plasticine 1kg 40 hardness...

Price €19.10
Plasticine 1kg, 40 hardness, dark grey: Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1kg de plastiline dureté 40 ivoire
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Plasticine 1kg 40 hardness...

Price €19.10
Plasticine 1kg, 40 hardness, ivory Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1kg de plastiline dureté 50 gris foncé
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Plasticine 1kg 50 hardness...

Price €19.10
Plasticine 1kg, 50 hardness, dark grey Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1kg de plastiline dureté 50 ivoire
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Plasticine 1kg 50 hardness...

Price €19.10
Plasticine 1kg 50 hardness ivory Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1kg de plastiline dureté 55 gris foncé
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Plasticine 1kg 55 hardness...

Price €19.10
Plasticine 1kg, 55 hardness, dark grey Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1kg de plastiline dureté 55 ivoire
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Plasticine 1kg 55 hardness...

Price €19.10
Plasticine 1kg, 55 hardness, ivory Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1 kg de plastiline dureté 60
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Plasticine 1kg 60 hardness...

Price €19.10
Plasticine 1kg, 60 hardness, dark grey Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1 kg de plastiline dureté 60
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Plasticine 1kg 60 hardness...

Price €19.10
Plasticine 1kg, 60 hardness, ivory Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1kg de plastiline dureté 70 gris foncé
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Plasticine 1kg 70 hardness...

Price €19.10
Plasticine 1kg, 70 hardness, dark grey Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
1kg de plastiline dureté 70 ivoire
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Plasticine 1kg 70 hardness...

Price €19.10
Plasticine 1kg, 70 hardness, ivoiry Plasticine is often used in clay animation or stop-motion animation. It is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and it does not melt under hot studio lighting. But it is important to have a Plasticine which does not dry definitively. In 1933, we can find it in O’Brien’s film “King Kong”. Then Ray Harryhausen (one of his fan, who is also one of his colleagues) is the one who would develop this genre.
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